Katie's second book of poetry, Mouths Open to Name Her, is forthcoming from LSU Press in March 2019.  It was selected by former Louisiana Poet Laureate Ava Leavell-Haymon as part of the Barataria Poetry Series.  Katie's debut collection, The Belle Mar (Pleiades 2015), won the Lena-Miles Wever Todd Prize. 

Katie's is the recipient of The New Millenium Poetry Prize, The Lena-Miles Wever Todd Prize from Pleaides Press, The Missouri Review Editor's Prize, an NEA state fellowship, and an SLS fellowship.  Her poems have appeared in New Millenium, Rattle, Frontier, Radar, The New Guard, Southern Quarterly, Prairie Schooner, VerseDaily, Pleiades, The Missouri Review, Deep South Magazine, and elsewhere.  

Alicia Ostriker describes Katie's poems as "quietly urgent."  Mostly documentary in style and spare in tone and imagery, the poems center story and character most often.  

Katie teaches creative writing at Bossier Parish Community College in Bossier City, Louisiana.  She lives in Shreveport with her husband, son, and their oddly-shaped shelter dogs in a very old house, and despite having an office, writes most of her poetry in bed.

She’s a double threat virtuoso of form and voice. And, indeed, to call her poems masterful, as I’m inclined to do, invites a dark irony, since mastery—and all the dark passages of its historical charade—and the labor on which it always depends—is precisely Katie’s subject. Katie’s approach is hard-won, head-on, unsparing, and makes us examine our American inheritance.
— Austin Segrest